"What Upsurge This"

Yvonne Blomer

Yvonne Blomer (she/her) is a writer, editor, and poetry teacher based in Victoria, BC. She has published six books of poetry, most recently Death of Persephone: A Murder. She is a past poet laureate of Victoria, BC, and finds writing in community a deeply important act. Yvonne has lived in Japan and the UK. She has also edited five poetry anthologies and written a travel memoir titled Sugar Ride: Cycling from Hanoi to Kuala Lumpur.

I began writing this poem in the days approaching Earth Overshoot Day, which was on July 24. It was the day this year we used up earth’s resources for the entire year, so now we are living in overdraft. I have also been rereading Stilt Jack (1978) by John Thompson and letting his words enter the poem a little, or his cadence, so it’s in conversation with Stilt Jack and other news items going on in the days leading up to our overuse of planet Earth for 2025.

I.

     Now you have burned your forests
     you’ll go with no money, stupefied half-written books.

     The bees on the Russian lavender, their fat bodies.
     The dog, unable to settle.

     What did you mean when you lay in the shadows
     mute those three days?

     Be a glacier, or the crag and crevasse
     when melt liquidates. What happens

     beneath your wide brimmed hat? May as well ask
     a crowd on a Tokyo crosswalk in rain.

     This black mar.

II.

     Waiting, I listen. Towhee, neighbours,
     the bees in the lavender, wasps too.

     The dog flies across the yard. My dog, my heart,
     flings back. A cat to leash ratio.

     Sleep? Who sleeps? At night, I breathe with the dying fly,
     in the morning, sweep it from my bed. Jewel-eyed omen.

     What are you writing? Are you writing?
     A blister where stitches won’t heal.

     Living is the long and short of it. Soft fur, the name
     my son gives me; a friend I hold off,

     palm pressed out.
     Crow song. Bee song. Dog whistle.

III.

“Eat, let the blade/ be surprised by joy” — John Thompson

     The morning chorus of construction.
     Children, birdsong.

     In sleep, I eat the blade,
     run the blood of being

     along my thigh. Youth
     is so lively. I’ve aged,

     I’ve broken another limb.
     eat eat the crows say.

     They wait in the dying cedar
     drop sharp stones in my hair.

IV.

     Joy is a muddy jewel
     I rarely pan for.

     Sketch a line from here
     to here. Read John Thompson,

     hear Patrick Lane too in the male voice,
     a hard burn, a rough beard. Liquor, bread and fish,

     like Christ, for Christ’s sake (I take on Lane’s tone
     or like to think I do). I own no guns nor

     do I fish, but for the word—
     I’m done with eating. This soft tongue is also a death—

     swallow stones instead. Mudlark
     my mind—small cosmos and the dog’s sad song,

     comforts unearned. Children starve for real
     and we sign petitions, bear our heavy bodies

     Continue to look away.
     Use, use up; fly, fly away.

V.

     A voice: low, rising, loud, sudden.
     A man on the phone, a beer in hand, perhaps

     with friends. I am no fish nor fowl, but I ride the day
     by wind, by water. The great heat

     comes. I don’t place my unhealing skin
     in the Mighty Pacific’s dying tide. Algae.

     Scum. Plastic. What have we done?
     Whatever we wish. Like hockey boys let off, again.

     “Eat salt and tell the truth.” A Polar bear
     on the back of a great whale. What rises here?

     What thieves. What incredible imaginative thieves.
     And the great fish, sturgeon or mammalian

     sinks to the depths. What would it ask of this fire
     but to be spared, to be cool, left alone, spared,

     not have its naked self
     promise consent

     so humans can carry on,
     burn, and burn to spend.

VI.

     How long can we taste our own
     blood? Empty the river with a bullet-

     holed bucket? Take my hand.
     I take your sawed-off shotgun.

     I don’t own a gun. Scion. Scythe. The drone
     takes all. Play some music.

     Glittery pop, flared jeans.
     I’m five again, in love

     with the idea of love. The party
     goes on in another room.

     I’m a dropped mitten, powder blue,
     at a ski weekend. Once

     when snow was deep
     and each mogul, taller than me.

VII.

     This wounded ankle, a burst star,
     an encumbrance. His eyes travel me.

     Truth is, we want to be good
     at what we do: a fish

     upstreams to breed, an astronaut breathes
     in space. What are you good at little sparrow?

     Flight and the fuck off of song. Discernment:
     window from sky. Until that one time.

     What a brilliant thing. Traffic
     swooshes the sun down, the moon,

     high beams. Shout hello into this void.
     Say no. Say no clearly. Enunciate: N O

     The wolf and bear voiceless
     against airborne shooters.

     Say cull. A woman in a hotel room.
     A ratio: skin to guns.