"Rest"
Kerry Trautman
Kerry Trautman (she/her) was a poetry editor for the journal Red Fez from 2016 to 2022. Her poetry and short fiction have appeared in various international anthologies and journals, including Slippery Elm, Free State Review, Paper & Ink, The Madrigal, The Fourth River, Midwestern Gothic, and Gasconade Review. Kerry’s poetry books are Things That Come in Boxes (King Craft Press, 2012), To Have Hoped (Finishing Line Press, 2015), Artifacts (NightBallet Press, 2017), To be Nonchalantly Alive (Kelsay Books, 2020), and Marilyn: Self-Portrait, Oil on Canvas (Gutter Snob Books, 2022).
“This poem was written in response to a painting called Santos Dumont: The Father of Aviation II by Kehinde Wiley (2009). The painting was part of an exhibit of Wiley’s work at The Toledo Museum of Art, in Toledo, OH, USA. It is a large, imposing canvas—as many of Wiley’s are—so the gaze of the figures staring out at the viewer is inescapable. I instinctively gazed back, connecting to their faces, as if trying to listen for what they wanted to say to me.”
Having fallen is
not equal to
having been pushed down.
The sky can swallow the shoved
more readily than
those in repose.
Rest.
As if there is absence of suspicion,
absence of desire to push
anyone
let alone those already horizontal.
A wrist roped to a hot air balloon is
not equal to restraint.
There are those who recognize
the sky’s gift of weightlessness.
Sun-warmed stone
below will respond
to your gravity’s call
equally
as if raising you cloudward.
As if the horizon
has awaited
flesh to suspend
within itself.
Give it what you will
but first rest.
Being lifted is
not equal to
the freedom to rise.